Lowest Price on The Women at Amazon.
Posted by ronnienunez1981 on December 2, 2009
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Lowest Price on The Women at Amazon..
Product: The Women Amazon Price: Sale Price Too Low To Display Availability: In Stock |
The female of the species goes jungle red in tooth and claw in this intelligent mask adaptation of Claire Boothe Luce’s noted Broadway play–a wickedly droll portrait of 1930s society women whose lives revolve around beauty treatments, luncheons, fashion shows, and each other’s men. Socialite Mary Haines is the envy of her set: rich, graceful, and happily married… but when her husband steps out on her with a gold-digging perfume counter sales clerk, Mary’s so-called friends dish enough dirt to compose divorce inevitable whether Mary wants it or not.
The script is wickedly, mercilessly amusing, lickety-split paced, razor exciting and filled with such memorable invective that you’ll be quoting it for weeks and months afterward: “He says he’d like to do Sylvia’s nails true down to the wrist with a buzz-saw;” “Why that old-fashioned gasoline truck, she’s sixty if she’s a minute;” “Gimme a bromide–and set aside some gin in it!” And the all-female cast, which includes every one from Cora Witherspoon to Butterfly McQueen to Hedda Hopper, plays it with expansive spark.
This was the last famous starring role for Norma Shearer, one of MGM’s greatest stars of the 1930s, and she aquits herself very well as the much-wronged Mary Haines. But the precise winners are the members of the supporting cast. Joan Crawford is truly amazing as Crystal Allen, the shop girl who leads Mary’s husband astray, and Rosalind Russell gives an outrageously laughable performance as the back-biting gossip whose detestable comments precipitate Mary’s divorce. Indeed, it is hard to do anything except rave about the entire the cast, which includes such diverse performers as Marjorie Main, Paulette Goddard, Joan Fontaine, and Lucille Watson. Even the smallest bit parts collect with one-liners that have the impact of a slap in the face, and director George Cukor does an improbable job of keeping everything and every one in spellbinding focus.
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Perhaps one of the most tantalizing things about THE WOMEN is the scheme in which director Cukor ties the behavior of its characters to their social situation. Possessed of absolute leisure and noteworthy wealth, their energies are inevitably directed into competition for the ultimate location symbol: a successful man. Cukor allows us to sympathize with Mary (Shearer) and laugh at Sylvia (Russell), but he also requires us to pity them–and indirectly encourages gruding admiration for the devious Crystal (Crawford) and the savvy Miriam (Goddard), characters who are considerably more self-reliant. Consequently, not only does THE WOMEN paint a poisoniously humorous portait of women as a sex, it takes a hatchet to the society that has shaped their characters as well.
Unfortunately, this landmark comedy has not received the bulky relieve of what DVD offers. Although the print is crisp, the film has not been restored, and the extras are deceptive and hardly do the film justice; while I would recommend the DVD simply because you’re likely to wear out a VHS, the DVD has no astronomical advantage over the VHS release. But whether you have it on VHS or DVD, this is one title that you must have in your collection: you’ll recognize it again and again. A must-have!
This is a film that has withstood the test of time. It is every bit as involving, as when it was first first released benefit in 1939. The film is an outstanding example of pre-World War II opulence and elegance with its splendid art deco sets. Based upon a play by Claire Booth Luce, it boast a lickety-split and witty screenplay by Anita Loos and Jane Murfin. In the hands of legendary director, George Cukor, this film is captivating, comic, and memorable with stellar performances given by the entire cast. Boasting an all female ensemble, with nary a male in inspect, the film revolves around men. How to secure ‘em. How to sustain ‘em. How to lose ‘em. How to gather ‘em abet.
The film details the marital travails of Mary Haines, played by hide vast, Norma Shearer. Mary has a coterie of bitchy, gossipy, abet biting friends, and included in that group is her cousin Sylvia, played with madcap zaniness by Rosalind Russell. Mary is happily married to wealthy Stephen Haines, or so she thinks. Apparently, her perfect husband is stepping out on her with perfume salesgirl, Crystal Allen, played with poor girl abandon by Joan Crawford, and it seems that all Recent York knows it.
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Mary’s so called friends ensure that Mary finds herself in a region to peek her husband’s betrayal. Mary’s mother, Mrs. Moorehead, played with characteristic stateliness and grace by Lucille Watson, counsels her daughter to handle the matter the mature fashioned plan, promising that the affair will soon burn itself out. She advises her daughter not to betray her feelings about the affair, not to mention it to her husband, not to discuss it among her friends, and to turn a blind glimpse to the whole matter.
Mary reluctanly tries to adhere to her mother’s counsel, until a chance encounter with the now fat of herself Crystal Allen causes Mary to lose control, and the fur begins to waft. Mary, now taking a more contemporary reach, totally disregards her mother’s advice and refuses to overlook the affair or forgive her husband for the distress and humiliation he has caused her. Leaving him, the inevitable happens, but all’s well that ends well. The performances by this all star cast are to be lauded, as each and every one of those cast in this film contribute to making it a truly astronomical film.
Norma Shearer is perfectly cast as the somewhat prim and great Mary Haines. She plays her role with studied restraint, until the final shot in the film, when she crosses the line. While the fact that she was the widow of Irving Thalberg, a well respected studio head who had died about two years prior to the filming of this movie, may have contributed to her getting the lead, she certainly deserved it in her enjoy suitable, as she had been a leading lady for many years (Romeo and Juliet, Marie Antoinette, The Barretts of Wimpole Street, Private Lives, etc.) and a substantial star. Norma Shearer and Joan Crawford were actually accurate life rivals and had never grand liked each other, so I am clear that playing rivals in this film was not a stretch. Joan Crawford is fabulous as the “man trap” who steals Mary’s husband. She plays the role of Crystal as a hard edged girl from the contemptible side of the tracks who grabs for the brass ring. Though she does not have all that many scenes in the film, her presence is such that the viewer does not immediately realize it.
Rosalind Russell, in her first comedic role is terrific. She had previously done only dramatic roles and actually auditioned for the role of Sylvia, playing it three different ways. She played it straight. She played it with a light comedic touch. She played it with total, over the top, comedic abandon. When George Cukor selected her for the role, he told her that the third arrangement was the method he wanted her to play it. At first, Ms. Russell balked, thinking that such comedic excess would be the slay of her career. He convinced her that madcap zaniness was the diagram to go, and she complied, giving an over the top, zany performance that was an instant hit. This film kicked off her begin as a comedic actress.
Kudos also go to Mary Boland, as Flora, the Countess DeLave (”l’amour, l’amour”), as well as to Paulette Goddard, as Miriam Aarons, the divorcee who steals Sylvia’s husband, and to Joan Fontaine, as the sweetly naive Peggy. Ms. Fontaine looks remarkably like her estranged sister, Olivia DeHaviland, in this film. Marjorie Main plays the role of Lucy, the obscene, rough, no nonsence country woman. It is a role reminiscent of a young Ma Kettle, a role she would play in the 1947 film, “The Egg and I.” It would be a role that she would pick to the bank, as it would toddle off into a wildly favorite series of “Ma and Pa Kettle” films for Universal Pictures.
Virginia Weidler is affecting as dinky Mary, the Haines’ young daughter. Butterfly McQueen, of “Gone With The Wind” fame, has the petite fraction of Lulu, the cosmetics counter maid. Retain your search for originate for Hedda Hopper, the loyal life gossip columnist. Staying just to develop, she plays the role of Dolly Dupuyster, a gossip columnist, who appears towards the very destroy of the film. Don’t blink, or you’ll miss her. The film is shot in shadowy and white, though it has a fashion indicate segment that is shot entirely in color. The dazzling and chic wardrobe for the cast is provided by the distinguished designer, Adrian.
This is a film that will be enjoyed by viewers who be pleased vintage films, as well as by those who simply worship a grand movie. Bravo!
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